(WIP, draft version)
Introduction
Literature Review
1. General
1.1 Basic Concept of Sound
1.2 Basic Concept of Color
1.3 Conclusion
1.4 Comparison
2. Harmony
2.1 Harmony
2.2 Major Chords
2.3 Chords Extension
3. Case Study
3.1 Case Study3.2 Application
Reference
Unlike color mixing, music has harmonically recognized combinations of notes called chords, and the theory of chords has evolved into a systematic framework over generations.
In contrast, color does not have a strictly defined harmony system. For example, Adobe Color provides scientific combination types for color harmony, and Pantone offers standardized color references for printing. However, there is no universally agreed-upon combination for color harmony, as there is for chords in music.
Adobe Color Website
As all chords are variants generally based on the basic structure of 1-3-5.
Let’s take research from this.
All sequences with 3 chords
From all the sequences, it can be divided into contrast groups and similarity groups; also, several groups are ambiguous and can be in both.
It can also be viewed from a geometric perspective.
All sequences of 3 chords
The areas of the triangles are different, from small to large.
If we compare the area of the triangle and the color combination, it can be found that the larger the area of the triangle is, the greater the contrast in the colors. In other words, harmony, or three colors, is in balance. The smaller they are, the closer the colors are; it might be that two colors are in proximity, or three colors are in analogous.
contrast group and similarity group
contrast group and similarity group, and color flow through time or at the same time.
A triangle is the smallest stable structure, and an equilateral triangle is the most harmonious.
It can be explained that chords are based on the 1-3-5 chord structure.
All variants of 1-3-5 chords.
If we continue to take such a view.
The structure of 1-3-5 contributes an interval 4-3-5, if in a circle.
In mathematics, 3-4-5, contributes to a right triangle.